The Sun That Fell Into the Pool and Drowned

A "Sun that Fell into the Pool and Drowned" explores the space where drawing and painting converge. Across the series, lines emerge as gestures, traces of movement that gradually become images. Forms appear, transform, and dissolve, oscillating between recognition and ambiguity.

 The works are built through processes of repetition, accumulation, and erasure. A line may gather into a flower, a nest, an animal, or a reclining body before dispersing again into the surface. Rather than fixed representations, these images remain in a state of becoming, suspended between memory, perception, and imagination.

Working primarily through gesture, the paintings investigate how images emerge from this interaction between body, material, and mark-making. Drawing is understood not as a preparatory stage but a way of thinking: a process through which forms are discovered rather than planned.

Animals, plants, bodies, and fragments of landscape recur throughout the exhibition, appearing less as subjects than as temporary configurations within a shifting visual field. The resulting works inhabit a space where gesture and image, memory and perception, remain inseparable.